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painting,andofallpainting,is;shallbedoneh thelinesorstrokesaspaintisputchevasorinkonthesilkitisapurely te,theproblef”touch.”butnoartistescapeit,aouch usediheeicallyusedto traofitsown.sooneror later,tiredofit. itisthesarebellio,arebellioneupin ahzuc.700760, ”ahorse,”hypl.onju,anteoraryese paintkr,hhoicstrokesand stekyof thethk rultlvatlonoffaiiualhyandstillrein akintoitinteique. andasteryofthebrush,distinguishedbyitsboldnessandfreedoinsteadofncealing theliheartistglorifiedit.eprinciple inesearture.thusinplaceofthedeadandservile linesofkukaichih346407oreorlesseven asifdravnbyasteelpen,artedthesohid petallinecurlingandnstantlyginginh,dueto thenaturalrhythfastrokelaidhthesensitivebrush. infact,itzusstrokesthathispupilg hsucreatedtheextrelysstyleofentwiningropesin calligraphy.ochieh,699759furtherdeveloped anddifiedthestrokeinpainting,sotisabolishingthe traditionalthodof”tragoutlines,”andnsequentlyis generallycreditedhhavingfouhe”southeschool.” itsfarreagnsequencesweshallsoonsee. thesendprobles:hoheartistspersonalitybeprojectedintothework aeofanart,transilitude, yetonyorrealitythisrevoltagainstrephysical ayisalsobackofallthe,aybedescribed asseartheterialrealityandforthodsofindigthe artistsoerevoltthehistoryofeseartinthe eighthturyhtheiredordissatisfiedhphotographic reproduaterialreality. hereeoldproblehoheartistiheobjectshhisown etionsorreashad <.therevoltereay andnutecraftsnship.thentrastbetheneheoldschoolis iinglyshohestoryoftingsofszelandscapesonpalace zuduringthereignoftang nghuang.itissaidthatli,thesterofthe”northeschool,”didhislandscapein aboutanth,hallitstraceryolours,whilewudidhisgrand landseinsplashesofink,andthe eerorsaid,”lissuhstindiditinanth,andziididitinaday,andeach isperfeitsownway.” iistrylass landscapepainterhielf,arodutoitthespiritandteiqueof ,itslyriosphereand itspahusthe”fatherofthesoutheschool,”akesesepainting deservedlyfaus,annurturedintheesepoeticspirit. entthattheeseartistiiusfirstbesciousofitseinthefourth,fifthandsixthturies.itwasin thisperio hsiosartistoe,who beohprinalligraphists.”duringthefollouriesth< influenousculpturesoftatungand lungyleofinhewei,nowpreservedin thesoriptionsofthisperiod,setthihighark foresecalligraphy,inopinionstilthebestinitsory.theyle erelybeautifulbuthadbeautyandpoweran bined.hsiehhointhisperiodfirstenunicvitality” ethetraprincipleofallesepaintingifourteenhundrec years. thencathegreateighthtury,ereasoiorother quiteexplaihescreativeperiodofesehistory,inpainting,poetry ancprose.thecauseleastpartiallytobefoundinth ookplaceduringthechao;ofthepregturies.lipoandwangwei ixtureostactivebutk readequategenealogicaldata.anyanspiritbecafreeaive. thisberofotherfirstclaapoets:li ssuhsdn,the”ninnstyleand 712,hanyiiin768,pochuyiin772,andliugyiianin773梐llfirstclass nasinesehistory.andinthistury,too,abeautyofbeauties,yang kperorpanyandgracetheurththepoetli po.xorhisperioddistinguishedbypeace,either. hoaybe,the”southeseintobeing,anditisthesouthe sostpeculiarlyese.thistype ofpaintingbeohe”scholarspainting,”andlateronintheeleventh ifei 10501107andhissonyiijen10861165,itreachedstillgreatersilicityand subjectivity.itenspainting.”sutungpoevenpainteda baootreehoutitsjoints, ...