第81节

    【】id

    thepoetseledelierialandhoithhiso

    agloicvitalityieiqueofese

    poetryandesepaintingreallyohatesepoetsarepainters,

    andpainters,poets

    thestrikingthingaboutaginationanditskinshipin

    teiqueostevidentinthehandlingofperspective.herethe

    analogybetostplete.letusbeginh

    perspective.thathelinesoflipo701762

    abovethensfacearisethehills;

    besidethehorsesheadergetheclouds,

    antravellingonhorsebaa

    highuntainpaththeeanifirstsight,willbe

    found,ontsuseoftheigination,togiveusapictureasapainterwould

    paintitonhiseobjethe

    fround”thensface55and”thehorseshead”tosetoffthedistantview.

    entirelyapartfrohepoetiountains,one

    realizesthattheserybythepoetasifitingona

    flatsurface.thereaderhensee,asheactuallyseesinpaintingsorsnapshots,

    thathilltopsseeorisefrohensfaewherein

    thedistanalinebrokenbythehorseshead.thisclearlypossibleif

    thepoetonhorsebadthecloudslyingonalohe

    distanaginehielfonhorsebaahigh

    untainpathahesaperspectiveasthepoetdid.

    inthishroughthistrickofperspective,thesepenpicturesgainabold

    reliefiossibleethods.itotbesaidthattheesepoetswere

    nsciousofthetheoryofthisteique,buthadinanycasefoueique

    itself.hundredsofexalesghtbecited.hthisteiqueofperspective,wang

    estdescriptivepoet,said:

    iainsanightofrain,

    andabovethetreesahundredsprings.

    ofurse,itrequiresalittleefforttoigine”springsoops”he

    exactheinal;butexaausesutiveissorareand

    onlybefoundountainges,f,afterthepreviousnightsrainfall,

    aseriesofetreesinthe

    fround,thereadergainsaclearperspectiveotherpossible.ashthe

    forrexalefroipo,theartliesintheseleofainthefround

    tosetitoffagainsttheobjethedistanlouds,ades,hilltopsandthe

    lkyhenpaintiogetheronafiatsurface.thusliuyuhsi772842

    e:

    foranautuse:severaldotsofhillsoverthewall.

    thepictureteiquehereisperfect:thehilltopsappearingasseveral”dots”overthe

    thehills.inthissense,an

    uandliliatic

    works:

    firstthehillsinthepainting,

    thenthepaintinginthehills.

    thepoetseyeisthepainterseye,andpaintingarybeeone.

    thisaffinitybetorenaturalandapparentwhen

    ilarityofteilarityofthes,

    andthefasoverse.

    inanycase,thepaierfinishinghispaintingusuallyesaverseatthetopin

    thosevaorelateronwhen

    ingproper.butthisaffinityisresponsibleforanotherpointin

    pressionisticteique.itisateiquehgivesa

    seriesofiressions,vividandunfettable,andleavesrelyaflavour,an

    indefinablefeelingbehind,hereaderssedoesnotsatisfyhis

    uandiheartofsublition,suggestion

    andartisticrestraint.thepoetdoesnottrytosayallhehastosay.hisbusinessisbut

    toevokeapicture,kingapelearstrokes.

    hencearosethegreatschoolofpastoralpoets,specializinginlandscapepaintingsand

    usingtheiressionisticteique.suchstersinpastoralpoetryaretao

    yflq.nrg373437>hsiehlingyun385433,ei

    ieiqueispraallyuniversalhesepoets.of

    terknoochiehitissaidthat”thereispoetryin

    hispaintingandpaintinginhispoetry,”becausewangself.

    hislikethe

    follotenbyoneinspiredbythespiritofesepainting:

    adstthestlikeautushowers,

    shallohestonyrapidsflow;

    itsspraysbesprinkleoher.

    upanddoheegretsgo.

    桾heliianchiarapids.

    aotheproblefsuggestion.sodeepainterhas

    attetedtheiossiblebytryingtopaint”thesoundofsunshinegoingupstairs,”but

    theproblefartisticlitationshasbeenpartlyoverebyesepaintersby

    theuseofsuggestion,reallydevelopedbythepoetituallypaint

    soundsandsllbythethodofsuggestion.aesepaihe

    soundoftelebellshoutshohebellsatallonthevas,butpossiblyby

    relyshopleroofhiddenangtrees,andtheeffectofthe

    soundonnsfaell,

    selftopictorialhandling.thusaesepoetdescribingthefragrance

    oftheopenuntrye:

    ingbackoverfloarethe

    horseshoofs.

    nothinghanpaintingaflockofbutterflies

    flittingafterthehorseshoofs,aesepainter

    actuallydid.bythesateiqueofsuggestio

    liuyiihsieaboutthefragranceofaurtlady:

    inher

    ...